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Gray Happens

8/31/2017

 
My sister recently asked how bad my gray hair is. You see, in our family—in all fairness, on my mother’s side—the gray starts early. My mother was in her early twenties when she spotted her first; there’s an oft-repeated story at the family dinner table that one of Mom’s aunts started seeing those wiry, colorless hairs on her head as young as nineteen. My sister was twenty-four (coincidentally, right around the time she started working for the state; she’s since left, but the gray stayed).

“I have a couple in my bangs,” I said. “Mostly I just dye my hair if I feel like changing the color.”

“That’s not fair,” Kim replied, and there was a bitter tone in her voice, the kind that makes you think, my sister legitimately wants to kill me.

Let me digress for a moment to examine what sort of crappy genetics my sister and I each inherited from our parents:

Me:
  • Dad’s bad cholesterol
  • Dad’s supersensitive skin which makes it difficult to buy both regular soap and laundry detergent, for fear of breaking out in a painful rash
  • One weird heart issue—of which Dad’s family tree has several
  • Mom’s ability to gain weight simply by walking down the potato chip aisle and breathing deeply
  • Spontaneous spider veins erupting on the ankles despite never having done any sort of strenuous exercise in my life (Mom)
  • Inability to navigate my way out of my own driveway (Dad)

And here’s Kim’s list:
  • Started growing gray early (Mom)

You can imagine I had little sympathy for my gray-haired big sister, who repeated several times that this simply wasn’t fair. As we say in my family, “Move your face closer so I can slap you.”

So no, I don’t dye my hair out of necessity yet. I have, in my life, been platinum blonde (the year I was Marilyn Monroe for Halloween), strawberry blonde (incidentally, not as cute as I’d thought it would be), dark brunette, and ginger-haired (such a terrible look that I ignored the advice of 100% of chemists and dyed it again within two days).

You see, children learn what they live. And my mother has been dyeing her hair all my life. So of course I’ve chemically changed my locks, even though I haven’t really had to yet, much to Kim’s absolute ire. Dyeing your hair is just something women do.

My mother’s family—with the exception of my late great-aunt Demi, who embraced her brilliant silvery-white locks as soon as they sprouted—has not taken this genetic flaw lightly. They’ve all become experts in dyeing, highlighting, and touching up roots to rival any salon stylist. They hold intense debates over cream vs. mousse kits, and can break the oxidization process down to the atomic makeup of the chemical compounds involved. These women do not mess around. One day in my late teens, I came home with a box of semi-permanent dye, hoping to get streaks a la Cyndi Lauper. My mother laughed so hard tears streamed down her face. Semi-permanent? Why waste your hard-earned cash on something that’ll fade in six shampoos?

It was a mistake I’d never make again. (Though oh, how I wished I’d gone with semi-permanent during the Great Orange Pumpkinhead Debacle.)

The women on my father’s side, however, have accepted their lighter locks with grace and dignity when nature did take its course. Auntie Bea, for instance, wore her stunning head of salt-and-pepper curls for years, without once worrying she might look old—and she didn’t. She was (and still is) gorgeous. Hair dye? Pfft. Who needs it? There are bigger things to concern oneself about in the grand scheme of things. And my father? He went white overnight—woke up one morning to find his once golden blond curls markedly paler. Thought to himself, Welp, that’s that, put on his slippers, and went about making coffee. I admire their lack of concern. And I’m proud that in this one genetic gift, I take after the Longos.

But honestly, when my morning comes, I suspect I’ll forego the coffee, pull a hat on, and rush down to CVS for a box of Performing Preference by L’Oreal. Because though I take after my dad’s side when it comes to pigmentation, I am my mother’s daughter.

And to my sister, I say this: one thing. Just let me have this one thing.

Picture
Dyeing at home is fine. I do not, however, recommend home perming.

Library Memories

8/25/2017

 
Our weekends were pretty routine growing up. On Saturdays, we’d visit my grandparents one town over, and on the way home, if we behaved, my sister and I were rewarded with a trip to the town library. (If we were really good, and it happened to be March, Mom would also throw in a special trip to McDonald’s for a shamrock shake, but that’s a different story.)
There was something special about the stacks at the Welles Turner Memorial Library. There was a mural on the stone wall near the entrance, clearly painted by children. Who were they? Why hadn’t I been allowed to join in? What had Zach L. been thinking when he painted his impressive rendition of a purple and yellow alien, oh-so-carefully signing it? Leaving the mural behind, one then entered the magical world of the library.
The first floor housed the children’s section, young adult, and nonfiction. Biographies were toward the back; books on extinct species, exotic religions, and Native American tribes were to the right. I rarely stayed in the kids’ section, despite the impressive life-size dollhouse there. I’d quickly scope out the latest Bill Peet titles before wandering into the land of non-fiction, where Benjamin Franklin and California condors awaited.
As I got older, the library became the meeting spot for my crowd, since it was within walking distance of the middle school. My friends and I would buy candy and Wacky Packages at the drugstore next door, then settle in at a table in the back of the Welles Turner stacks, amid Madeline L’Engle worlds and Judy Blume angst. Sometimes my friends would gossip about the day’s events. Mostly I half-listened, my nose buried in the adventures of Scarlett O’Hara or Jo March and her sisters. My friends talked too much. I wanted to read.
In high school, the second floor of the library became my stomping ground. Here was the land of adult general fiction, and what an impressive landscape it was, indeed. The library was too small at that time to have separate rooms for genres, but they tried: I found Douglas Adams hanging out on a spiral rack, daring me to hitchhike across the galaxy. Stephen King was buried amid the general fiction titles, but I unearthed him quickly and entered a world of telekinetic teenagers and rabid dogs. I fell in love with John Irving, Larry McMurtry, and Erma Bombeck. I devoured a book a day, and if my friends were looking to hang out, they could usually find my beat-up Ford Granada in the library parking lot, second spot in, its rusty paint job reflecting the distorted image of Zach L.’s purple alien, now chipped and fading.
As most people do, I moved away. Went to college, came home for holidays, and occasionally met old friends in town, at the library. I moved to an island. Got my library card out there, and tore through the nonfiction section, in one season reading every single biography on their shelves. Eventually, I moved closer to home—one town over from where I’d grown up.
When my first book came out, I knew immediately where the first copy would go. I made a special trip to Welles Turner, admittedly getting lost on the way—so much had changed downtown. I pulled into the library parking lot, now completely remodeled. Zach L.’s alien was long gone. I was sad about that—but excited, too, to be visiting an old friend.
I made my way inside and shyly introduced myself to the librarian, explaining that I’d grown up in town and had written a book. She seemed happy to accept a copy to put on the stacks. I looked around. Everything had changed. “Um, where . . . Doug Adams used to be upstairs, on the rack down the hall to the right of the card catalog,” I fumbled. “Where is he now?”
The librarian smiled kindly, and showed me the way. Mr. Adams was still upstairs, and the scuffed stairway to get to him, at least, was familiar. He and his sci-fi friends had their own room now. Things had changed.
I slid a copy of The Hitchhiker’s Guide to the Galaxy off a chrome shelf and settled into an oversized easy chair. I flipped through the pages, trying to reconcile this shiny new library with the dusty, hazy stacks of my youth. A young woman, maybe half my age, bounced by me on her way to the George R.R. Martin titles.
“Great choice,” she said, eyeing my book.
“I know,” I agreed.
She plucked A Storm of Swords off the shelf and eased into the chair across from me. She didn’t want to talk. She wanted to read. So did I.
It felt good to be home again.
Editor's note: this blog post first ran on www.thestoryside.com. There was absolutely no way I was going to get a new blog post written this week. And upon rereading it, if I did have forty-five minutes to spare, I might've opted to head on down to the library instead.
Picture
Old Gideon Welles himself, one of the guys after whom the library is named. His portrait hung there for years, mostly because his stare pretty much terrified the library patrons into never speaking above a whisper.

Collaboration

8/17/2017

 
So, um, I’ve been working on this thing.

Actually, we’ve been working—you know what? I’m just going to let Rob explain it here: http://robsmales.webs.com/apps/blog/show/44732454-our-collaboration-part-1-two-heads-

All caught up now? See, basically, what happened was Rob and I, who work together anyway as the brilliant editors who helm S & L Editing, got it into our heads that we’d collaborate on a novel. After all, we’re a pretty great team when it comes to editing, and it’s not like we haven’t worked together on stories before . . . sort of. We’ve brainstormed ideas together for our own stuff, and critiqued each other’s work, so that counts, right?

Now any writer worth their salt will tell you that before collaborating with anyone, you should consider the following things:
  1. Compatibility. Are your priorities in alignment? Do your strengths and skills complement each other? Do you communicate well with each other?
  2. Who is going to write what? Will you alternate chapters, or will one of you write one character’s scenes, the other taking over the supporting cast?
  3. Writing style. Do your voices mesh well? Does one of you write every morning from 5–7 a.m. without fail, while the other sleeps in and writes when she can throughout the day? Will this make you want to kill each other?
  4. Legality. If one of you is hit by a chunk of frozen human waste dropped from a passing aircraft, will the other be allowed to carry on the series? Who owns the characters? Is it a 50/50 split?
  5. Post-writing workload: How will editing, revising, querying, synopsis-writing, and general “What do we do now?” tasks be handled?

Here’s what I considered before diving into this project:
  1. I have a tendency to not only take on too much work, but to be a bit persnickety about it. I once wrote a thirty-page essay on why the word “some” and its variants (something, someone) should be avoided at all costs. In my writing and editing career, I’ve only met one other person who not only keeps pace with me in terms of workload, but also finds discussions on not superscripting ordinals fascinating: Rob.
  2. Rob and I have the same sense of humor.

These two things were enough: of course we should collaborate!

We were eager (and yes, nervous) to get started. Rob had ideas—I’m continually jealous of how quickly he can come up with plots and characters, while it takes me three months just to come up with, “There’s a guy. What’s his name? Umm . . . Todd . . . Tom . . . nope, I know a guy named Tom, and he’s got just the ego to think it’s him . . . Sherman, that’s it. Now what does Sherman do?” I like to think my strength is spring-boarding off of an initial idea: give me an open submission call with a theme, and I’m good to go. So after listening to Rob rattle off ideas like a tommy gun unloading, I asked, "Can you put one of those in an outline?"

I like the concept of outlines, you see. I thought it might be helpful if we had one, to keep us on track and guide us if we got stuck. Rob obliged. And here’s where the fun began: while outlines are a sensible, structured way to approach any project, neither one of us really uses them. He wrote it up, I added my notes, and we began. Rob wrote the first chapter and sent it my way. I liked it. He’d made me chuckle. I liked the first main character introduced, and had some direction as to where to go next. I glanced at our outline. And promptly thought, Nah, that’s not gonna happen right now.

Before we’d started this book, a mutual writer friend, upon hearing of our collaboration and having some experience with those types of projects, said, “I hope you two are still friends at the end of the book.”
As I typed away, veering sharply off the outlined path, her words rang in my ears. How upset would Rob be to see where I’d taken the second chapter? Would cramming it full of things I thought might make him laugh help? Would we still be speaking by the end of chapter three?

To be continued . . .
Picture
We're still friends in this photo. Of course, it was taken six months before we started the book . . .

Life Lessons from General Hospital (A Soap Opera Rerun)

8/11/2017

 
Editor’s note: Most weeks, I have too much on my plate and struggle to juggle it all. This Friday, I found myself without a shiny new blog post and no time to write one (nor, quite frankly, the desire). So instead I offer this little gem, which originally ran on August 6, 2011.

I have watched General Hospital for most of my life. It started back in 1982, when my sister would watch it while babysitting me after school. Through the years, it’s been like an old friend—sometimes the show makes me laugh; sometimes it makes me cry; mostly, it makes me wonder how to tell this old friend that I’ve grown up and it hasn’t and we don’t really need to be friends any more.

In all fairness, GH has taught me a few things about life. For instance:
  • As long as you dress like a Vogue model and have fabulous hair, you’re ready for anything. Honestly, I’ve seen these women survive train wrecks, hotel fires, murder sprees, and car crashes (sooo many car crashes) with their perfect coifs and Jimmy Choos intact. So now, when I’m preparing for a hiking trip or a kayak ride, I like to run right out and get a hot oil treatment and new heels.
  • Life is easier if you have a cool name. This has been proven time and time again on GH. “Frisco” was a secret agent married to a Mayan princess. “Decker” was a sexy grifter who drove a Harley. “Mikkos” was a fabulously rich super-villain who put North America in deep freeze in the middle of July. The people with normal names, like Benny, Tony, Casey, and Jesse? Dead, dead, space alien, and dead. I fully understand that “Stacey” is not nearly as cool as “Frisco.” It is, however, awfully close to “Casey,” which means I might turn out to be from outer space. Really, I need to dump this show.    
  • Nothing says ‘I love you’ like giving your fiancée a lug nut for an engagement ring/buying your girlfriend a duck/raping a teenager on a dance floor. I wish I was making this crap up. And did that rape lead to a socially responsible, sensitive handling of a victim’s emotional turmoil and eventual victory in court of her attacker? Heck no. That rape scene led to the most popular couple on daytime television (Luke and Laura, we salute you).
  • People won’t think you’re a tramp if you have four children by four different men, even if the guy you’re married to isn’t the father of any of them. See, this was an eye-opener to me. Because that sounds kind of slutty to me. But Elizabeth Webber is considered a saint—a saint!—on this stupid show. (For those of you who watch GH, here is the scorecard: Cameron—father is Zander; Jake—father is Jason; miscarried child—father is Jax; Aidan—father presumed to be Nicolas, Lucky’s brother. Once this broke up Elizabeth and Lucky for good (I wish!) the father turned out to be Lucky.) To me, that sounds like a slut, but this woman walks on water while holding Mother Teresa’s hand as far as the others on the show are concerned.
  • There’s always a new crisis waiting around the corner. Sure, their crises are a little different than mine—psychopaths kidnapping the local mob boss’s children, forged paternity tests, serial killers stalking the local mob boss’s right hand man. My biggest challenges tend to be keeping the house clean, finding time to write, and not eating an entire chocolate mousse cake all by myself even though I really want to. But then again, I’m not married to the local mob boss. I suppose if I was, it would spice up my life a little bit.
So you can see, there are some benefits to watching soap operas. For instance, I get to release a lot of anger calling Elizabeth names every time she comes on the screen. And . . . um . . .

. . . all right. I’ll admit it. It is definitely time for me to break up with General Hospital.

I will. I swear.

Editor’s post-note: I have since broken up with the show, and can no longer stand by the accuracy of this post. For example, I don’t know how many children Elizabeth has these days, or if their fathers are still who the show said they were in 2011. Much like real life, nothing ever stays the same. Except for the bit about the chocolate mousse cake. I still stand by that statement.
Picture

Going Gluten Free

8/3/2017

 
If you happened to avoid hearing about my digestive woes for the past year and a half, holy cow: How did you do that? But the rest of you know I’ve been having some major gut problems. Around April of 2016, my body decided it was done doing things like, say, digesting food or not causing agonizing pain 100% of the time. My days became a cycle of starving, eating, immediately regretting it, and potty emergencies. Rinse and repeat.
After several doctors’ visits and procedures, it looks like I finally have an answer: SIBO, brought on by gluten intolerance.

My gastroenterologist: Stop eating gluten. It’s causing 100% of your symptoms, plus probably global warming.
Me: Gluten-free? Isn’t that something nutcase granola hippies say to make themselves sound smug and self-righteous?
My GI: Not if that granola isn’t gluten free, they don’t.
 
Turns out I’ve got a crapload of symptoms (that’s what my GI called it: a crapload. Funny lady, my gastroenterologist) all due to gluten intolerance. Not just the abdominal pain and the digestive issues, but numbness in my hands and feet, pain in my joints, and a recurring rash on my back. Also, brain fog and back pain. All things I thought were due to getting older and overly sensitive skin. Turns out it is grain that is the enemy here, not time. (Though time is still fully 100% responsible for my sagging bosom.)
After nuking my body with hardcore antibiotics, I now have to take probiotics and avoid all gluten. Okay, I’m a grownup, right? I can handle this.

First thing to go: bread. I’ve never been a big bread eater, so no problem here. And if I do want bread, Udi’s makes a ridiculously overpriced option that’ll convince anyone they really don’t need bread at $5 a shrunken loaf.

Next up: pasta. (Insert screeching brakes, drumbeats of impending doom, or some other horrific “life as we know it has ended” sound effect.)

I am, for lack of a better term, a pasta girl. I will give up muffins, pie crusts, cereal, pancakes, graham crackers, soy sauce, and even communion wafers without blinking an eye, but asking me to give up pasta is like requesting I give up oxygen for a day. Not going to happen.

Luckily, while I was calling my gastroenterologist every terrible name in the book (and I’m a writer, so those insults got pretty descriptive and yes, perhaps requested she perform acts that are legitimately illegal in 42 states), she was able to dodge my verbal barbs and throw a box of Ronzoni gluten-free pasta at me. Okay, so there are options. (It’s a good thing all those hipsters are forsaking gluten, because their crazy diet fads have forced food manufacturers to come up with the darndest gluten-free selections.) I took my fake pasta and bad words and went home to boil. (Literally. You boil water, put in the pasta, and presto! Eight minutes later, fake noodles.)

The verdict: gluten-free pasta is not real pasta, that’s for sure. But when you throw a temper tantrum and dump the GF stuff and boil up legit noodles and scarf them down and wind up spending the next two days feeling like you were hit by a rhinoceros driving a Mack truck full of Lyme disease, then you know, the gluten-free pasta is really not that bad.

Gluten-free has turned out to be a bit of a lifestyle challenge. I have no doubt I’ll be waxing poetic on the versatility of the potato, and questioning why all Lara bars must be pressed and cut to resemble fecal matter, in blog posts to come. Because I’m afraid it’s official: color me a nutcase gluten-free-granola hippie.

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